Milestone Media’s Rocket.
Representation matters, kids.
The biggest building boom in the history of astronomy is upon us. In Chile and Hawaii and in space, astronomers are getting powerful telescopes that dwarf the current state-of-the-art instruments. When the mountain blasting and the mirror polishing are all done, we will have the clearest and most detailed views of outer space ever.
This boom has long been in the works for years, as billion-dollar telescopes don’t just fund and plan themselves.Now, these telescopes are starting to break ground. “If it all plays out as expected and budgeted,” writes Dennis Overbye in the New York Times, “astronomers of the 2020s will be swimming in petabytes of data streaming from space and the ground.” Let’s take a closer took at what these billion-dollar telescopes can do for astronomy in the decades to come.
We are absolutely in love!
But I don’t think I’d actually want to hold my lover by his heart. It’s all slippery and gooshy and what if I stick it with my fingernails and stuff comes out?
Horns - trailer
So everyone has seen this Horns trailer that was posted over the weekend, right? I’ll be damned if post-Harry Potter Daniel Radcliffe with an American accent is… kind of a badass?
OMG. Daniel Radcliffe with an American accent.
And focusing on Marvel and DC at the expense of the dozens of other publishers in comics, and then declaring comics a failure at San Diego Comic-Con, is incredibly myopic. It’s a mistake to think that Marvel and DC are all that mattered, that their new events or announcements dictate the future of capital-c Comics. Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.
If the announcements from the Big Two felt lackluster, but the fans still had a great time, how did comics fail? That sounds like a Marvel & DC problem. Vertical debuted Moyoco Anno’s brand new book In Clothes Called Fat at the show, a comic geared toward adult women. They sold out of Fumi Yoshinaga’s What Did You Eat Yesterday?, a romance/cooking comic. At Image, we sold out of Greg Tocchini & Rick Remender’s Low, an aquatic sci-fi tale, and Nick Dragotta & team’s Howtoons, a comic geared toward getting kids interested in the science through practical play. Boom! burned through Lumberjanes, a comic about girls at camp. These aren’t your normal comics, and people were eating them up.
After two bad “Comic-Con was bad for comics!”/”Comic-Con was good for comics!” pieces, io9 lets iamdavidbrothers do his thing, and the result is—surprise surprise—a great piece that’s head and shoulders above the traditional (print) comic coverage on the site*.
(* I specify print because Lauren does really good webcomics stuff over there, because Lauren is great.)
Director Guillermo del Toro talks about his decision to cast Idris Elba in Pacific Rim:“[Pacific Rim] is a movie where I have had to deal with more dialogue than ever, and the way I cast the movie was—who do I want to hear say these things? Who do I want Charlie Hunnam to go against? Who can really tell Charlie Hunnam ‘sit down and listen’?” In another interview, the director said: “I wanted to have Idris not be the blonde, square-jawed, Anglo, super hip marine that knows everything. I wanted somebody that could bring a lot of authority, but that you could feel the weight of the world on his shoulders. When I watched Luther, that’s the essence of the character… Luther is carrying literally the evils of the world on his shoulders. He’s doing penance for all humanity… Idris is one of those actors that is capable of embodying humanity, in almost like a Rodin sculpture-type, larger than life, almost like a Russian realism statue, you know, big hands, all the turmoil of humanity in his eyes. I wanted somebody that you could have doubts internally, and very few guys can do that.” To prepare for the role, Elba watched footage of politicians David Cameron and Barack Obama, as well as Russell Crowe in Gladiator and Mel Gibson in Braveheart (x)